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Kenneth Kilstrom
Harold Kenneth Russel Kilstrom (December 25, 1922 - May 11, 1995) was an American painter and printmaker, associated in the 1940s -1970s, with Abstract Expressionism. He was primarily known as Kenneth Kilstrom. He was an apprentice of Isamu Noguchi and a member of Stanley Hayter's Atelier 17.〔(The Grove Encyclopedia of Materials and Techniques in Art ) edited by Gerald W. R. Ward, 2008, page 208.〕 While working with Hayter in his New York Atelier 17 in 1948, he became the first artist known to have used the direct transfer of "real world" photographic imagery on to an intaglio printing plate as an element in a composition in his work "Attack on Marshall Gilbert".〔 Kilstrom produced fifteen of these prints, two of which are held by the National Archives and the Fogg Museum at Harvard University.〔The Attack on Marshall Gilbert (1948) Catalog of Photographs and Prints, (Library of Congress ). Retrieved on 15 March 2014.〕〔The Attack on Marshall Gilbert (1948) (Harvard Art Museum ). Retrieved on 15 March 2014.〕
== Career ==
Kilstrom was born in Chicago, Illinois, on December 25, 1922. He was an only child, the son of optometrist Harold Robert and Hulda Nelson Kilstrom. Kilstrom attended J. Sterling Morton High School in Cicero, Illinois, where he was a member of the National Honor Society.〔The Mortonian, 1940, J. Sterling Morton High School〕 He attended the University of Illinois (1942-1943) and the School of the Art Institute of Chicago (1943-1944). He was awarded a scholarship for art to the Cooper Union in 1945, where he attended briefly, before accepting an apprenticeship with Isamu Noguchi (1945-1947). Kilstrom worked mainly as a printmaker in the 1940s and early 1950s, exhibiting in Chicago, Philadelphia and New York. He became a friend of artist Milton Resnick and his partner, artist Pat Passlof, who helped Kilstrom with his career.〔Ann McGarrell (2007)(The Roswell Artist-in-Residence Program: An Anecdotal History ), University of New Mexico Press, p. 48. ISBN 0826341667〕 Kilstrom was committed to a psychiatric institution for much of the 1950s and early 1960s but was released, based on the success of a nearly sold out showing of his work at the Tanager Gallery in New York in 1961, with the assistance of Resnick and Pasloff.〔Geoffrey Dorfman (2005) (Out of the Picture: Milton Resnick and the New York School ), Second Edition, Midmarch Arts Press. ISBN 1877675474.〕 Kilstrom focused primarily on painting after that time.
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